We were also invited by the CCHA Cultuurcentrum Hasselt in Belgium to show the entire solo exhibition ‘memymom’. The opening is on Sunday 22 September from 3pm onwards with an introduction by Visual Artist Hans Op de Beeck. There will also be a new video interview on view: memymom on memymom
Kunstlaan 5 - 3500 Hasselt - Belgium
Very proud that our solo exhibition 'memymom' that premiered at Le Musée de la Photographie in 2018 in Charleroi will now travel on to its next location in France, on view from 5 March till 7 April 2019: La Maison de la Photographie in Lille.
Very proud to officially announce memymom's first solo museum show at Le Musée de la Photographie | The Museum of Photography in Charleroi - Belgium, opening 22 September 2018. Click here to get the Press Release. Our book 'memymom', published by Ludion, will also be launched during the opening. Both unveil the essence and evolution of collaboration as a mother-daughter artist duo since 1990 up till now.
Lisa De Boeck was five years old when her mother, Marilène Coolens, began photographing her. On the table, on the bed or hiding in between the curtains, her daughter becomes the sole actress of an improvised theatre. Disguised with make-up and wigs sometimes, she plays scenes from television series, movies or fairy tales under Marilène’s watchful eye. This creative complicity titled The Umbilical Vein stretches from 1990 to 2003 and becomes their only analogue image archive.
What began as a spontaneous game that served as an intimate exhaust valve in the form of a family record, subsequently explores another dimension during the digital era. Memymom, contracted from “me and my mom”, is an artistic concept born in 2004 between the two self-taught photographers both living and working in Brussels: a mother (Marilène Coolens, 1953) and her daughter (Lisa De Boeck, 1985). Under the moniker of memymom, both decide to be in front and behind the camera.
From 2010 to 2015, their second chapter The Digital Decade bears witness of the desire to create semi-staged dreamscapes with a more readily symbolic content. This in places that lend themselves to the most diverse scenography or in settings emotionally charged for the two protagonists, such as the family home. Where sensuality has superseded innocence, the photographs now have a mirroring effect and deal with subjects such as memory, metamorphosis, personal identity and the bond between mother and daughter.
In full creation of their third chapter Somewhere Under The Rainbow 2016-2018, this formula is supplemented with current themes. By deepening the themes of their works in international settings (Brussels, California), a complex but engaging series of portraits was made. Like a movie that is condensed to a single frame but exudes the depth and meaning of a drawn-out story, transcending the relationship between these two women where family ties and creativity are fully intertwined.
With the support of Nikon BeLux and Milo-Profi Fotolabo